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The Enjoyment of Music 14th Edition by Kristine Forney, ISBN-13: 978-0393872439
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- Publisher: W. W. Norton & Company; Fourteenth edition (July 1, 2022)
- Language: English
- ISBN-10: 0393872432
- ISBN-13 : 978-0393872439
Listen, Learn, Appreciate, Communicate.
For nearly 70 years, The Enjoyment of Music has led the way in preparing students for a lifetime of listening to great music and understanding its cultural and historical context. The Fourteenth Edition expands on this foundation with new chapters and features that add many voices to its already rich repertoire.
Table of Contents:
PART 1: MATERIALS OF MUSIC
PRELUDE 1 The Enjoyment of Music
CHAPTER 1 Melody: Musical Line
CHAPTER 2 Rhythm and Meter: Musical Time
CHAPTER 3 Harmony: Musical Depth
CHAPTER 4 The Organization of Musical Sounds
CHAPTER 5 Musical Texture
CHAPTER 6 Musical Form
CHAPTER 7 Musical Expression: Tempo and Dynamics
CHAPTER 8 Text and Music
CHAPTER 9 Voices and Instrument Families
CHAPTER 10 Western Musical Instruments
CHAPTER 11 Musical Ensembles
LG 1 Britten: The Young Person’s Guide to the Orchestra
CHAPTER 12 Style and Function of Music in Society
CHAPTER 13 Many Voices: Creating and Recreating Musical Canons
CHAPTER 14 Putting Music into Words
PART 2: THE MIDDLE AGES AND RENAISSANCE
PRELUDE 2 Music as Commodity and Social Activity
CHAPTER 15 Voice and Worship: Tradition and Individuality in Medieval Chant
LG 2 Two Examples of Chant: Gregorian Chant, Kyrie; Hildegard of Bingen, Alleluia, O virgo mediatrix
CHAPTER 16 Layering Lines: Early Polyphony of the Notre Dame School
LG 3 Notre Dame School: Gaude Maria virgo
CHAPTER 17 Storytelling through Song: Troubadours and Medieval Court Culture
LG 4 Raimbaut de Vaquieras: Kalenda maya
CHAPTER 18 Symbols and Puzzles: Machaut and the Medieval Mind
LG 5 Machaut: Ma fin est mon commencement
CHAPTER 19 Singing Friendship: The Renaissance Madrigal
LG 6 Monteverdi: Si ch’io vorrei morire
LG 7 Farmer: Fair Phyllis
CHAPTER 20 Remember Me: Personalizing the Motet in the Renaissance
LG 8 Josquin: Ave Maria . . . virgo serena
CHAPTER 21 Glory Be: Music for the Renaissance Mass
LG 9 Palestrina: Gloria, from Pope Marcellus Mass
CHAPTER 22 Instrumental Movements: Medieval and Renaissance Dance Music
LG 10 Susato: Three Dances
PART 3: THE BAROQUE ERA
PRELUDE 3 Music as Exploration and Drama
CHAPTER 23 Voicing Gender: Women Composers in Baroque Italy
LG 11 Cozzolani: Magnificat
LG 12 Strozzi: Amor dormiglione
CHAPTER 24 Performing Grief: Purcell and Early Opera
LG 13 Purcell: Dido and Aeneas: Act III, Opening and Lament
CHAPTER 25 Musical Sermons: Bach and the Lutheran Cantata
LG 14 Bach: Cantata No. 140: Wachet auf, Nos. 1, 4, 7
CHAPTER 26 Textures of Worship: Handel and the English Oratorio
LG 15 Handel: Messiah, Nos. 18 and 44
CHAPTER 27 Independent Study: Billings and the North American Sacred Tradition
LG 16 Billings: David’s Lamentation
CHAPTER 28 Grace and Grandeur: The Baroque Dance Suite
LG 17 Bach: Orchestral Suite No. 3, Air and Gigue
CHAPTER 29 Sounding Spring: Vivaldi and the Baroque Concerto
LG 18 Vivaldi: Spring, from The Four Seasons, I
CHAPTER 30 Process as Meaning: Bach and the Fugue
LG 19 Bach: “Little” Fugue in G minor, BWV 578
PART 4: EIGHTEENTH-CENTURY CLASSISCISM
PRELUDE 4 Music as Order and Logic
CHAPTER 31 Musical Conversations: Haydn and Classical Chamber Music
LG 20 Haydn: String Quartet in E-flat Major, Op. 33, No. 2 (Joke), IV
CHAPTER 32 The Ultimate Instrument: Haydn and the Symphony
LG 21 Haydn: Symphony No. 94 in G Major (Surprise), II
CHAPTER 33 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
LG 22 Mozart: Eine kleine Nachtmusik, I and III
CHAPTER 34 Conversation with a Leader: The Classical Concerto
LG 23 Mozart: Piano Concerto in G Major, K. 453, I
CHAPTER 35 Personalizing the Conversation: Beethoven and the Classical Sonata
LG 24 Beethoven: Piano Sonata in C-sharp Minor, Op. 27, No. 2 (Moonlight), I
CHAPTER 36 Disrupting the Conversation: Beethoven and the Symphony in Transition
LG 25 Beethoven: Symphony No. 5 in C Minor, Op. 67
CHAPTER 37 Making It Real: Mozart and Classical Opera
LG 26 Mozart: The Marriage of Figaro, Act I, excerpts
CHAPTER 38 Mourning a Hero: Mozart and the Requiem
LG 27 Mozart: Dies irae, from Requiem
PART 5: THE NINETEENTH CENTURY
PRELUDE 5 Music as Passion and Individualism
CHAPTER 39 Musical Reading: Schubert, Schumann, and the Early Romantic Lied
LG 28 Schubert: Elf-King
LG 29 Schumann: In the Lovely Month of May, from A Poet’s Love
CHAPTER 40 Marketing Music: Foster and Early “Popular” Song
LG 30 Foster: Jeanie with the Light Brown Hair
CHAPTER 41 Fire and Fury at the Keyboard: Chopin and Romantic Piano Music
LG 31 Chopin: Étude, Op. 10, No. 12 (Revolutionary)
CHAPTER 42 Musical Diaries: Hensel and Programmatic Piano Music
LG 32 Hensel: September: At the River, from The Year
CHAPTER 43 Personal Soundtracks: Berlioz and the Program Symphony
LG 33 Berlioz: Symphonie fantastique, IV and V
CHAPTER 44 Sounding Literature: Orchestral Program Music by Mendelssohn and Grieg
LG 34 Mendelssohn: Overture to A Midsummer Night’s Dream
LG 35 Grieg: Peer Gynt, Suite No. 1 (Op. 46), excerpts
CHAPTER 45 Absolutely Classic: Brahms and the Nineteenth-Century Symphony
LG 36 Brahms: Symphony No. 3 in F Major, III
CHAPTER 46 Multimedia Hits: Verdi and Italian Romantic Opera
LG 37 Verdi: Rigoletto, Act III, excerpts
CHAPTER 47 Total Art: Wagner and German Romantic Opera
LG 38 Wagner: Die Walküre, Act III, Opening and Finale
CHAPTER 48 Embracing Death: Brahms and the Requiem
LG 39 Brahms: A German Requiem, IV
CHAPTER 49 Poetry in Motion: Tchaikovsky and the Ballet
LG 40 Tchaikovsky: The Nutcracker, Two Dances
CHAPTER 50 Exotic Allure: Puccini and the Italian Verismo Tradition
LG 41 Puccini: Madame Butterfly, “Un bel dì”
CHAPTER 51 Mythical Impressions: Program Music at the End of the Nineteenth Century
LG 42 Debussy: Prelude to “The Afternoon of a Faun”
CHAPTER 52 Nationalism Crosses the Ocean: Dvořák and Romanticism in the USA
LG 43 Dvořák: String Quartet in F Major, Op. 96 (American), I
CHAPTER 53 Jubilees and Jubilation: The African American Spiritual Tradition
LG 44 Spiritual: Swing Low, Sweet Chariot
CHAPTER 54 A Good Beat: American Vernacular Music at the Close of an Era
LG 45 Joplin: Maple Leaf Rag
PART 6: TWENTIETH-CENTURY MODERNISM
PRELUDE 6 Making Music Modern
CHAPTER 55 Anything Goes: Schoenberg and Musical Expressionism
LG 46 Schoenberg: Pierrot lunaire, Part III, No. 18
CHAPTER 56 Calculated Shock: Stravinsky and Modernist Multimedia
LG 47 Stravinsky: The Rite of Spring, Part I, excerpts
CHAPTER 57 Still Sacred: Religious Music in the Twentieth Century
LG 48 Boulanger: Psalm 24
CHAPTER 58 War Is Hell: Berg and Expressionist Opera
LG 49 Berg: Wozzeck, Act III: scene 4, Interlude, scene 5
CHAPTER 59 American Intersections: Jazz and Blues Traditions
LG 50 Holiday: Billie’s Blues
LG 51 Strayhorn: Take the A Train
CHAPTER 60 Modern America: Still and Musical Modernism in the United States
LG 52 Still: Suite for Violin and Piano, III
CHAPTER 61 Jazz Gets Classical: Gershwin’s Modern Experiment
LG 53 Gershwin: Rhapsody in Blue
CHAPTER 62 Sounds American: Ives, Copland, and Musical Nationalism
LG 54 Ives: Country Band March
LG 55 Copland: Appalachian Spring, excerpts
CHAPTER 63 Also American: Revueltas and Mexican Musical Modernism
LG 56 Revueltas: ”Noche de Jaranas,” from La noche de los Mayas
CHAPTER 64 Classic Rethinking: Bartók and the Neo-Classical Turn
LG 57 Bartók: Interrupted Intermezzo, from Concerto for Orchestra
PART 7: POSTMODERNISM: THE MID-TWENTIETH CENTURY AND BEYOND
PRELUDE 7 Beyond Modernism?
CHAPTER 65 New Sound Palettes: Mid-Twentieth-Century American Experimentalists
LG 58 Cage: Sonata V, from Sonatas and Interludes
LG 59 Crumb: Caballito negro
CHAPTER 66 Staged Sentiment: Bernstein and American Musical Theater
LG 60 Bernstein: West Side Story, excerpts
CHAPTER 67 Less Is More: Reich and Minimalist Music
LG 61 Reich: Electric Counterpoint, III
CHAPTER 68 Rolling Beethoven Over: Roots and Reworkings of Rock
CHAPTER 69 Returning with Interest: Bowie, Glass, and Postmodern Elaboration
LG 62 Glass: Symphony No. 4 (Heroes), I
CHAPTER 70 Neo-Romantic Evocations: Higdon and Program Music into the Twenty-First Century
LG 63 Higdon: blue cathedral
CHAPTER 71 Underscoring Meaning: Music for Film
LG 64 Williams: Imperial March, from The Empire Strikes Back
LG 65 Tan Dun: Farewell, from Crouching Tiger, Hidden Dragon
CHAPTER 72 Icons in Sound: Tavener and Postmodern Orthodoxy
LG 66 Tavener: A Hymn to the Mother of God
CHAPTER 73 Reality Shows: Adams and Contemporary Opera
LG 67 Adams: Doctor Atomic, excerpts
CHAPTER 74 Syncretism and Universalism: León and the Intersection of Traditions
LG 68 Leon: “Understanding,” from Inura (In Motion)
Andrew Dell’Antonio is Distinguished Teaching Professor of Music at the University of Texas at Austin. Winner of the University of Texas Regents’ Outstanding Teaching Award, he teaches courses in musical historiography, feminist/queer theory, and cultural studies. Dell’Antonio is a specialist in musical repertories of early modern Europe, and his recent work investigates topics as diverse as postmodern modes of hearing and changing listening practices in the early Italian Baroque.
The late Joseph Machlis was professor of music at Queens College of the City University of New York. Among his many publications are Introduction to Contemporary Music (Norton) and singing translations for many operas.
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